Marceline. Une femme. Un siecle. / Marceline. A woman. A century
Direction: Cordelia Dvorák
Script/Script: Cordelia Dvorák
Director of Photography/Photography: Georgi Lazarevski, Susanna Salonen, Bettina Borgfeld, Thomas Bataille
Editing/Montage: Laurence Miller
Music/Music: Jan Tilman Schade
Producer/Production: Elda Productions
Country of Production/Country: Netherlands, France/Netherlands, France
Duration: 58'
Production Year/Year: 2018
Language/Language: French/ French
Subtitles/Subtitles: Greek / English
Synopsis:
The Marceline. A woman. A century, is a meeting with the remarkable French director Marceline Loridan-Ivens, a radical chronicle, actress of Jean Rouch, survivor of the Holocaust and long-time companion of the Dutch legendary film pioneer Joris Ivens. The film also talks about a unique love and collaboration in filmmaking, about the survival of the holocaust through filmmaking and about an undisputed witness of the 20th century.
Marceline. A woman. A century is an encounter with the remarkable French film director Marceline Loridan-Ivens, a radical chronicler, Jean Rouch's actress, holocaust survivor, and long-standing companion of the Dutch legendary film pioneer Joris Ivens. It is also a film about a unique love and partnership in film making, about surviving the Holocaust by film-making and about an unimpeachable witness of the 20th century.
Director's Biography/Director's Short Bio:
Cordelia Dvorák is a writer, dramatist, theatre and film director. Since 1996, he has worked for over 80 international opera, theatre and dance productions, including: Kammerspiele in Munich, Staatstheater Stuttgart, Grand Théâtre in Bordeaux, Teatro Sāo Carlos in Lisbon, Piccolo Teatro in Milan and Nationale Reisopera in the Netherlands. Since 1998, he has authored and directed international documentary productions. One has only to survive, Peter Greenaway, Bailar para vivir, Quijote’s Camera.
Cordelia Dvorák is a writer, dramaturge, film and theatre director. Since 1996 she has worked in more than 80 international opera, theatre and dance-productions, amongst others: the Kammerspiele Munich, the Staatstheater Stuttgart, the Grand Théâtre of Bordeaux, the Teatro Sāo Carlos Lisbon, the Piccolo Teatro in Milan and The Nationale Reisopera in the Netherlands. Since 1998 she is the author and the director of international documentary film productions. One has only to survive, Peter Greenaway, Bailar para vivir, Quijote’s Camera.
